FRANZ LISZT UN SOSPIRO PDF

Liszt did not give "lessons" -- he imparted to his disciples the accents, the attack, the sound that animated a sonata by Beethoven , a character piece by Schumann , or one of his own works, revealing its unique expressive force. Nor was technique discussed -- Liszt had created piano technique for generations to come in his stupendous series of etudes and it was left to the youngsters to absorb it on their own. While most of them composed prolifically -- numbering among the adherents of the New German School -- and many later enjoyed international concert careers, few are remembered today. The most greatly gifted -- Joseph Joachim Raff , Felix Draeseke , and Peter Cornelius -- had no pianistic ambitions, while pianists such as Hans von Bronsart or William Mason , are recalled, when they are recalled, for their association with Liszt.

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The most striking part of Un Sospiro is its ethereal and poetic qualities, with its rolling arpeggios and flowing melodic line creating an atmospheric mood. The challenge in learning the music is to produce a beautiful tone color and shape the melody while successfully handling the arpeggios and hand crossings.

The fingerings are also good indications of patterns, such as harmonies that are outlined in arpeggios. The patterns of recurring notes will often have the same fingerings, and noting these patterns can aid our sense of coherence.

Ricker Choi , an award-winning amateur pianist who has founded Music Heals! In the measures shown below, for example, the melodic notes boxed in red should be played with the left hand crossing over, with fingers 3,2. I can reach an octave easily, but a ninth is a stretch. We can overcome small hand issues with careful thought and creativity and with fluid arm and hand motions.

Ask questions such as, what is essential in a passage that is difficult or impossible for a small hand—i. Or what can be played with the left hand rather than the right hand or vice versa? This approach may not produce a professional performance, yet it can create a performance satisfying to the pianist.

As a result, Ricker feels the pianist ought to remain true to the score. He points out that on occasion the concert pianist Lang Lang avoids some of the crossovers and plays the melody all with one hand, which Ricker believes can destroy the mood of the piece, its introspective and calm nature. Moriah Trenk recommends the Hamelin interpretation. The arpeggios are played fast and smoothly, and also played lightly, so as not to interrupt the melodic line. The melody is played with strength and passion, and there is a wide variety of tone color within the performance.

Hamelin also uses a lot of pedal, creating a dream-like, ethereal quality. The Hamelin is more free-flowing, more pushing forward, and for me, it is a little bit too much in your face. When you cheat that way on the fingering, you can play with a lot more expression and rubato, but the calm surface of the piece for me is destroyed.

The magnetic Liszt captivated audiences while performing recitals entirely by memory. Similar to the art movement, Impressionistic music originated in France and seeks to evoke a mood or atmosphere. Claude Debussy and Maurice Ravel are considered to be two of the major Impressionist composers. Both Un Sospiro and Ondine come from sets of three pieces composed for the piano.

Both pieces have intense moments of passion and a flowing melodic line amidst a cascading accompaniment. All Rights Reserved. Related Posts.

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The Wild Harmonic Adventures of Liszt’s Concert Study No. 3, “Un Sospiro”

The most striking part of Un Sospiro is its ethereal and poetic qualities, with its rolling arpeggios and flowing melodic line creating an atmospheric mood. The challenge in learning the music is to produce a beautiful tone color and shape the melody while successfully handling the arpeggios and hand crossings. The fingerings are also good indications of patterns, such as harmonies that are outlined in arpeggios. The patterns of recurring notes will often have the same fingerings, and noting these patterns can aid our sense of coherence.

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Franz Liszt

Nel dicembre nacque la loro prima figlia Blandine. Gli incontri e le amicizie che si intrecciarono furono molti e fecondi Rossini , Bartolini, Ingres , Sainte-Beuve. I concerti in giro per il mondo si susseguirono frenetici. Tra i moltissimi capolavori cui diede vita, figurano il poema sinfonico Mazeppa , la Sonata , i due concerti per pianoforte ed orchestra, il Totentanz e centinaia di pezzi pianistici. Decise di entrare nel monastero della Madonna del Rosario di Roma, certo che solo la fede avrebbe potuto essergli di vero conforto. Nel , in memoria di Blandine, scrisse La Notte. Nel ricevette in Vaticano la tonsura e gli ordini minori.

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Trois Études de Concert

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