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Additional Enharmonic Chordal Substitutions - New enharmonic possibilities of chords already presented. Relative Major - Minor 1. Examination of the relative major, minor, or minor 7 Flat 5 of selected chords. Newly discovered chords and functions are listed and presented in various II - V - I examples. Enharmonic Substitutions on 9th Chords with omitted third or fifth - Examination of the various functions in these non-drop 2 type voicings Tension Additions on Diminished 7th Chords - Symmetrical and diatonic approach to the addition of tensions on diminished chords and examination of various functions.
Constant Structure Harmonic Motion 1. Multi-function examination of a single voicing and chord type 2. Musical examples including II - V - I situations. Symmetrical Dominant Substitutions - Dominant functions of whole-tone and diminished are examined. Approach Voicings - In depth examination of chromatic, diatonic, and dominant approach techniques relative to four-note voicings. Fourth Voicings 1. Modal and diatonic approaches to quartal harmony. Examination of various scales for their quartal harmonic potential.
Different functions of fourth voicings derived from the Pentatonic scale Chromatic Guidelines - Examination of chromatic motion in each voice or voices of four-part harmonic structures. Chromatic guidelines over chord changes: 3. Contrary motion: various contrary chromatic combinations are presented in II - V - I examples and some extended chord progressions. Triad over Bass Voicings 1. Organization of major and minor triads over various bass notes. Enharmonic possibilities of each structure.
Triads over tensions 5. Triads over bass arpeggios 6. Symmetrical motion.
Bret Willmott - Complete Book of Harmony Theory & Voicing
Voicing Considerations. Chord Symbol Notation spirit ene 19 Problems and suggested solutions to chord symbology 5. Tensions a Theory governing tension selections including tension addition char. Dominant Substitute V7 Chords.
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Complete Book of Harmony, Theory & Voicing